ext_201930 (
byname-bynature.livejournal.com) wrote in
damned_institute2007-11-29 11:47 pm
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NIGHTSHIFT 28: M31-M40 HALLWAY
(From here.)
Artemis poked his head into Farfarello's room, and seeing that there wasn't anything waiting for him, entered. "Right," He stopped in the middle of the room and turned, "Where do we start?"
Why did the room suddenly feel like it was the size of a matchbox?
Artemis poked his head into Farfarello's room, and seeing that there wasn't anything waiting for him, entered. "Right," He stopped in the middle of the room and turned, "Where do we start?"
Why did the room suddenly feel like it was the size of a matchbox?
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Once the bottle of nailpolish was transferred from its current hiding place to a new one in the closet, Farfarello sighed softly in relief and zipped back up. "Finally."
That taken care of, Farfarello sprawled on his own bed comfortably. Hopefully having most of the room between them and Farfarello in an obviously casual and non-threatening (for him, anyway) pose would make things a little easier on Artemis. "Theory first. First thing I've gotta say is, one of your biggest problems is this idea you seem to have that book knowledge and fighting are mutually exclusive things. You're not thinking about how to apply stuff like biology and physics, because you're assuming you don't know anything about how to fight."
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"Let the more experienced and physically stronger members of your team keep the enemy busy, let them make openings for you to get in, do the damage, and get back out of reach. Hanging back until you get an opening isn't being useless, it isn't being a coward, it's using your resources efficiently."
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"But what do I do when my enemy has no discerning weak points?" He was thinking of the nurses in particular... it didn't look like a carotid cut would do one of those in.
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"If it's armoured, like a scorpion, go for the joints in the armour, the limbs. Get your heavy-hitters to try and flip it onto its back if they can. Anything with more than two legs, the best situation is to be able to get at the underbelly, because taking out one leg isn't going to help like it does with bipeds. Analyse your enemy, and do it fast, then take advantage of that knowledge."
Thinking of the birds outside, Farfarello added, "Flying enemies are the worst. Try to lure or herd them into smaller spaces, if you can. Go for the wings, or if they're small see if you can figure out a way to weigh them down. If you can slow down the movement of the enemy, you make it easier for the stronger fighters to get in a deathblow. You aren't a point man, you're not strong enough or skilled enough. Be the support for your key fighters, make their job easier."
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All of these points were starting to make sense. This whole time, he had been attempting to fight as a single entity, and now he could see why this didn't work. He was smart, that was true enough, but without the power to back it up he wasn't a complete fighter. Just part of one.
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"Communication is really important. So is not telling your enemy what you're going to do. Come up with some coded signals with your team, just simple stuff like 'go left', 'attack now' and so on. Verbal is probably better than visual, with it being so dark in the halls." Obviously Farfarello did not tend to have communication problems with Schuldig, though his partner not being able to speak directly into his mind here was a bit annoying. Still, they'd been working together long enough that it hardly mattered anymore--they knew each other's fighting styles too well.
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"Anyway. This brings us to what you do when getting hit is inevitable. That'd be where physics is very important--remebering that bit about objects in motion? Very helpful. If someone is throwing a punch at you, the instinct is usually to throw your hands up and try to stop it. This is a bad idea, for someone your size. To stop a strike dead you need to be able to overcome your opponent's mass, the force put into the strike, and the velocity of the strike. If you threw a punch at me, I could stop it. If I threw a punch at you? No chance."
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He thought for a moment, "So the best options would be getting out of the way, targeting ignored weak points, or using the attacker's motion to my advantage, correct?"
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"This is the part where practice comes into play, but I'm not the best person for that. Your other people can help you with getting the actual moves down. What I really wanted most, tonight, was to get things in terms that make sense to you, which I don't think they would have done. If you can think of it as science, which it is, the idea of fighting might not seem as confusing and overwhelming as you've been finding it."
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Whether or not this was a lucky break was yet to been seen. If he messed up again tonight, the Captain would most assuredly lose his patience with Artemis and forcibly eject him from the Arts and Crafts division. But who could he go to? Renji had been injured, Hitsugaya was preoccupied, Edward had turned him down under the pretense of him being a poor teacher, he had no idea where Obi-Wan was...
The boy had run out of options at this point. But it couldn't be helped at this point. He'd essentially sabotaged himself by upsetting Farfarello, so he'd have to take what he could get.
"So... we're finished?"
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He really did intend to play it safe tonight. Artemis just didn't want public knowledge of his magic seeping out--otherwise who knew how many people would come to him for help. It would get very annoying, very fast.
"You be careful as well," the boy replied tentatively. "I think that things are only going to get worse tonight."
Farfarello was probably the last person who needed to be told this, but Artemis had suddenly developed what he called 'fluff feelings' for his teacher. He felt as though if he heard that something had happened to Farfarello, he'd be very upset.
He cleared his throat, looking down in embarrassment, "Not as though you are unable to handle yourself or inattentive." What was wrong with him lately?
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Artemis blinked, realizing that Farfarello hadn't responded to anything he'd said. Well, not like he was going to push the issue. "Why are you split up tonight?"
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"Question:" Artemis raised his hand as though he were in a classroom--for effect. "Circumstantial but... if I feel I am losing consciousness, should I call for help?"
Subject change.
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"Well, I won't take up any more of your time. I suspect you have things to do that are far more mentally engaging," He smiled and stood up to go avoid the clinic.
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